In one word, my answer is sadly, “No.” A couple of months ago, I published a glowing review of Ravens of Avalon which I thought had redeemed the series for me, and I also liked Priestess of Avalon quite a bit, but I just could not get very attached to Sword of Avalon.
Initially, I was excited about reading this book. After all, it was going to tell me how Excalibur came to be, and I thought we would be making progress in the series. One aspect of this series I don’t understand is that there is no progression to the books. They are written to jump about in time. Priestess of Avalon takes place in the third century, then Ancestors of Avalon is centuries earlier, then Ravens of Avalon is set in the first century, and now Sword of Avalon takes place around 1,000 B.C. I just don’t get it. What’s the point of all this jumping around? Why wasn’t the sword then in Ravens or Priestess? There’s no real overarching plan to this series. I keep thinking each successive book should move chronologically forward, bringing us up to The Mists of Avalon, but there is no such plan. And I keep hoping for a sequel to The Mists of Avalon—I want to know what happened to Morgan le Fay, but no satisfaction there either.
But I was excited to read this book when I saw that part of the story would take place in Greece a generation or two after the Trojan War. I thought, “Marion Zimmer Bradley wrote The Firebrand about the Fall of Troy, and after The Mists of Avalon, it’s my favorite of her books. Will Diana Paxson connect the stories, maybe play off the interesting twist at the end of The Firebrand that Cassandra lived and had children—so that maybe she is also an Ancestor of Avalon? But no—no such connection.
Instead, there’s a boy named Mikantor who is saved by the Lady of Avalon during the burning of a village in Britain. She must hide Mikantor because he’s heir to the sacred kings descended from Atlantis, placing this books timeline after Ancestors. That’s basically the story. There’s also a bad guy named Galid, a chieftain who suspects Mikantor is alive and wants him dead. When Mikantor is a young man, he is kidnapped by pirates and ends up in Greece where he befriends the man who will one day make Excalibur. Together they will return to Britain. You can guess what happens when they do.
Galid is one of the least inspired villains I have ever experienced. Other than one or two successful dramatic scenes, there was nothing about this book that interested me. I found myself struggling to get through it. Every time I sat down, I tried to get back into it but after five or ten pages I was bored. The last couple of hundred pages, I could do nothing more than skim through and just read the dialogue, to see how it would all turn out, which was quite predictable.
I hate to say it, but Marion Zimmer Bradley is dead. So is this series. I hope this book has put it to rest so Marion can rest in peace. The Mists of Avalon was a tremendous achievement that changed modern Arthurian fiction—in fact, it is my all time favorite novel, which is saying a lot since I love Dickens, Trollope, Galsworthy and so many other great authors—but even though a couple of the other books in this series have been enjoyable, none of them are really very relevant to Arthurian fiction. I respect Paxson as a writer because I know she has skill from what she showed in a couple of the books, but I can only thinks she is just as bored with this series as her readers. No one will ever write another The Mists of Avalon, so it’s time to accept that and move on. Since it’s been three years since this book was published, I’m hoping Paxson and her publishers have realized that too.
Tyler R. Tichelaar, Ph.D. is the author of King Arthur’s Children: A Study in Fiction and Tradition, available at www.ChildrenofArthur.com