Prince Valiant Vol. 5 continues the long-drawn out tale of Prince Valiant’s love for and frustration over Aleta, Queen of the Misty Isles. At the end of Volume 4, Aleta and Val had fled the Misty Isles and they were wandering through the desert, with Aleta as Val’s prisoner, since he is convinced she is a sorceress who has enchanted him, and he is angry at her for the death of his servant.
Aleta, however, is not the slave or prisoner type; nor is she vindictive, for through various ruses, she manages to save Prince Valiant’s life, trick his enemies, and even rescue herself when needed. In fact, Aleta proves herself worthy of her queen status and to be the love of Valiant, who really is quite foolish and irrational as a youth of only about twenty in this volume. After Val manages to rescue Aleta from a sultan who ends up capturing her and taking her to his harem—although Aleta was capable of taking care of herself all along as she proves—Val tells Aleta he will marry her, but she doesn’t want to be told; she wants him to woo her properly. It takes some doing and consternation for Val before he figures out how to convince her to marry him, culminating in his tossing her into a fountain and kissing her passionately—and then comes Aleta’s long awaited “YES!”
Valiant wants to go to Rome for the wedding and be married by the pope—after all, he’s a prince and Aleta a queen, but Genseric of the Vandals is planning to sack the city. When Valiant tells Genseric he wishes to be married in Rome, Genseric invites Valiant and Aleta to accompany him, and he’ll let them be married before he sacks the city. Things don’t quite work out as planned, and instead a former cardinal turned woodland hermit marries them in one of Foster’s most beautiful drawings.
But married life does not mean “happily ever after”—Valiant’s story is just beginning and the comic strip will continue another seventy-six and counting years. The Medieval Castle is not so lucky. This smaller strip Foster appended to the bottom of the Valiant strip ends in 1945, soon after World War II is over (see my earlier blog on Vol. 4 about The Medieval Castle) and the removal (no loss, it was boring like a medieval documentary) of this lesser strip allows for more space for Prince Valiant—more space for intrigue and obstacles for Valiant to deal with, including Aleta’s handmaid falling in love with him, resulting in tragic results.
Eventually, however, Valiant and Aleta make it back to England, in time for Mordred (here, I believe for the first time, named as Arthur’s half-brother) to catch Lancelot and Guinevere together and accuse them of adultery. Aleta, however, to save Camelot, claims it was she and not Guinevere, whom Lancelot was kissing. Of course, Valiant is enraged and more marriage troubles ensue, but not at the Round Table’s expense.
If readers want to know more of Valiant and Aleta’s adventures in this volume, they will just have to read them for themselves. I have to admit that for me, this volume dragged a little bit for reasons I can’t put my finger on. Perhaps it dragged for Foster a little too because Volume 6 will take a dramatic turn in bringing Valiant and Aleta to North America—long before Columbus or even the Vikings! Unfortunately, Vol. 6 won’t be released until January 2013 so we’ll just have to wait.
One final benefit of this volume is a discussion of Foster’s drawing sizes, which were actually a full page for each frame and then shrunk down to fit the strip. Some additional illustrations are included that Foster did as magazine covers.
Tyler Tichelaar, Ph.D. is the author of King Arthur’s Children: A Study in Fiction and Tradition. You can also visit him at www.ChildrenofArthur.com