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Posts Tagged ‘Mordred’

The Ring of Morgana by Donna Hosie is the first volume in The Children of Camelot Series. As most of my readers of this blog know, in my book King Arthur’s Children (2010) I predicted that the trend to continue to create children for King Arthur to carry the Arthurian story forward would continue and this novel is further indication I was correct. In fact, it was published in 2014, the same year I began publishing my five-volume The Children of Arthur historical fantasy series, detailing King Arthur’s descendants from the sixth to twenty-first centuries.

The Ring of Morgana is the first book in Donna Hosie’s The Children of Camelot series and a sequel to her The Return to Camelot Trilogy.

Hosie’s novel is in some ways similar but in others very different to my own series. It also begins in the twenty-first century. We are introduced to sixteen-year-old Mila Roth and her ten-year-old sister, Lilly. They live in Wales in a house called Avalon Cottage, which is rumored to be haunted. The truth, though, is that Mila and Lilly’s parents have some secrets they’ve been keeping from their daughters, including that they possess a mysterious sapphire ring. I won’t go into the full details of the plot (spoiler alert though that I will give quite a bit away), but basically, Lilly gets ahold of the ring, puts it on her finger, and it begins to make her deadly sick. This situation results in numerous secrets coming out, including that Mila and Lilly’s dad is King Arthur and their mother, although she goes by the name Sam, or Lady Samantha, is apparently really Morgana, a Gorian priestess.

So yes, we have another novel with King Arthur having daughters. What is interesting from here on is that Morgana is the mother of two girls. As the novel progresses, there is no indication that Morgana is the mother of Mordred, as is more typical in Arthurian fiction. Mordred is referenced in the novel (he’s already dead), but it is never stated that he is in any way related to Arthur or Morgana. (Here I should point out that this novel was written after Hosie wrote her The Return to Camelot Trilogy, which I have not read, but which seems to be a prelude to this novel. Consequently, certain details of this book’s plot I may have not understood as thoroughly as if I had read that series first—I was unaware at the time I bought this book that it was linked to Hosie’s earlier series.)

In order to save Lilly, it is necessary for the Roth family (why did Hosie choose that name? It’s not Welsh) to travel back in time to Camelot. Here I think is the only real fault of the novel. Hosie has her characters travel back in time one thousand years—this date is preposterous to me because it would suggest they go back to the year 1014 A.D., give or take a few years. They arrive in the kingdom of Logres at Glastonbury and then travel to Camelot. This year is about 500 years too late. In 1014, Ethelred the Unready was King of all of England and a Saxon king. The novel states that Mila was born during the Battle of Mount Badon, the traditional date of which is 516 and when King Arthur and his Welsh/Celtic contemporaries would have likely lived. A few other historical oddities exist in the novel in terms of some of the name choices—Mila’s aunt is named Natasha and she’s married to Bedivere—Natasha is a Russian name. No one in medieval Britain would have had that name. (Plus, Bedivere is an English version of the Welsh Bedwyr, which I used in my own novels.) Some of the other name choices are equally odd.

In any case, the family arrives back in medieval Logres. Along with them comes Mila’s best friend, Rustin. I mention him, although he’s not related to Arthur, because he plays a significant role in the plot and the sequel book Quest of the Artisan will apparently focus on Rustin, who enjoys woodworking and becomes known as the Artisan in this novel.

The plot now revolves around Merlin trying to heal Lilly while the family reside at Camelot—ruled by Guinevere, who is in love with Lancelot. (The romance dynamics of the novel seem to assume the reader read the earlier series since I never figured out how Arthur and Guinevere must be married, yet he lives in the twenty-first century with Sam/Morgana). Guinevere is childless as usual, but she is very gracious to Arthur and his daughters, who until now have lived in the twenty-first century since it’s apparently safer for them there.

It turns out that Mila must do battle with Nimue in order to save Lilly—this also relates back to themes in the earlier novels—apparently Nimue had some sort of romantic crush on Arthur that caused trouble.

In the end, Mila succeeds and Lilly is healed, and then everyone returns to the twenty-first century, but Rustin is unhappy and decides to figure out how to return to Camelot.

One final point of interest in terms of treatments of King Arthur and his children should be mentioned here. Mordred is dead at the time of the novel. However, he has a son, Melehan, who is about Rustin and Mila’s age and is under the care of Sir Gareth (presumably his uncle). Melehan is traditionally the name of Mordred’s son, which usually would make him King Arthur’s grandson (in my own Children of Arthur series, I used the alternative spelling Meleon; there he is the son of Mordred and grandson of Arthur and Morgana). Mordred does not seem to be related to Arthur in this novel so that means Melehan is not one of Arthur’s descendants.

The novel closes with Melehan traveling to the twenty-first century to meet Mila and tell her he has much to tell her about Rustin and the others back in Camelot, leaving the ending open for a sequel.

I’ll conclude by saying that I thought The Ring of Morgana a very readable and interesting novel. I especially enjoyed the realistic depiction of Mila and her teenage friends in Wales. The build-up of Mila learning the truth about her family and background were all well-done. I admit I was less interested in Mila’s battle with Nimue to save her sister than in the other parts of the novel, but overall, it is one of the better Arthurian novels I have read in recent years and should appeal to young adults as well as anyone who enjoys a more science fiction/time-travel type of Arthurian novel. Those who are diehard fans of historical fiction and a more traditional Arthurian storyline will find it less appealing.

Stay tuned for a future blog about the novel’s sequel, Quest of the Artisan, and perhaps more blogs about The Return to Camelot trilogy.

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Tyler Tichelaar, Ph.D., is the author of The Children of Arthur series, which includes the novels Arthur’s Legacy, Melusine’s Gift, Ogier’s Prayer, Lilith’s Love, and the upcoming Arthur’s Bosom. He has also written the nonfiction scholarly works King Arthur’s Children: A Study in Fiction and Tradition and The Gothic Wanderer: From Transgression to Redemption, plus numerous other historical novels. You can learn more about Tyler at www.ChildrenofArthur.com.

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I’ll admit I didn’t have high expectations for this film. After all, it has a 3.8 rating at IMDB and I haven’t been impressed with original Sci Fi films based on the few I’ve seen so I put off seeing it until recently, even though it was released in 2010.

It wasn’t any better than I expected, but it had one pleasant surprise—yes, it creates yet another child for King Arthur.

The story begins apparently several years after Arthur’s fall at Camlann. Sir Galahad is the last of the Knights of the Round Table. He is accompanied by three younger knights, and together they go on a quest to find Merlin to seek his help because a sorcerer called The Arkadian is terrorizing Britain by releasing venomous moths and other creatures from a magical book called The Book of Beasts.

MerlinandtheBookofBeasts_Galahad’s party finds Merlin, but he isn’t willing to help. Then he discovers that one of the knights is not only a girl, but she is Avlynn, the daughter of King Arthur and Guinevere. Avlynn wants Merlin to help her gain the throne that is rightfully hers and also to retrieve Excalibur from the lake where it was hidden after Arthur’s passing to Avalon. Merlin still refuses to help, and the group leaves, downcast.

Soon after the party is attacked by what appear to be zombie soldiers, and at the moment when it seems they will lose, Merlin comes to their aid, having changed his mind about helping.

At this point, Merlin says several things that are difficult to understand because the actor playing Merlin, Jim Callis, talks like he has rocks in his mouth; he also sounds a bit disgruntled and demented. My biggest complaint about the entire film, in fact, was that I couldn’t always understand what Merlin was saying.

Not that the rest of the movie is so spectacular, but I did like that Avlynn and Galahad’s other two companions are Lancelot, son of Galahad, and Tristan, son of Tristan and Isolde. Lancelot, of course, is in love with Avlynn, but she’s not interested in him.

When the showdown with the Arkadian happens, it turns out he’s Mordred and he didn’t die at Camlann after all. He unleashes more creatures from The Book of Beasts. Every creature in the book is actually a real creature residing in the book, including Medusa and her sister Gorgons, who seem badly out of place in this film, but they do manage to cause trouble for the Camelot crew, and ultimately, turn Sir Galahad to stone, a spell Merlin can’t reverse.

In the end, Mordred is defeated and killed. The Book of Beasts is destroyed when Excalibur is stabbed into it. Avlynn has been enchanted by Mordred, who wanted to marry her and breed a new Pendragon line, but Lancelot rescues Avlynn by kissing her and breaking the spell. Now, clearly, with a little urging from Merlin, Avlynn will marry Lancelot and they will rule together, with Tristan as head of the army.

While I love that a daughter was created for King Arthur in this film and also the other second generation characters, there’s not much else to recommend this film. Jim Callis, despite being in several other roles in successful films where he did a good job, just isn’t a good Merlin and the story is pretty predictable. Nothing about the sets was attractive or made me feel any awe; the fountain of Brittany which could have been a nice touch in the film isn’t even in Brittany but Britain, and the Gorgons got annoying fast.

I agree with IMDB: 3.8.

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Tyler Tichelaar, Ph.D., is the author of The Children of Arthur series, which includes the novels Arthur’s Legacy and Melusine’s Gift, and he has written the nonfiction book King Arthur’s Children. You can learn more about him at www.ChildrenofArthur.com.

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King Arthur, known as “The Once and Future King,” has long been prophesied as destined to return in the hour of Britain’s greatest need—in fact, people thought he might return during the Battle of Britain in World War II. But currently, his return remains something we dream of and hope for in the future. What that return will be like and how to depict it in fiction is a true challenge that only a few novelists have attempted, such as Stephen Lawhead in Avalon and Susan Cooper in her The Dark Is Rising series. However, in my opinion, no novelist has succeeded in creating a plausible and enjoyable return for King Arthur.

Is there a Prince Arthur in England's future - and will he bring about King Arthur's return? Read "A King in Time" to find out.

Is there a Prince Arthur in England’s future – and will he bring about King Arthur’s return? Read “A King in Time” to find out.

The problem is if Arthur returns in a novel, then we in the real world are left realizing it’s just a novel—and at least this reader is upset that he missed that return as part of reality. However, I believe Mary Enck has come the closest to solving this problem in her novel, A King in Time, by doing two ingenious things.

First, she sets her novel in the future—the year 2100 A.D., a time that may seem far into the future to her readers until she draws us closer by telling us one of her main characters, Prince Arthur, is the great-grandson of the current Prince William of England, so this is a royal family with which we are familiar. This Prince Arthur is destined to become King Arthur of England. I was ready to expect then a novel completely set in the future in which Prince Arthur becomes King Arthur, so that his return is carried out through a reincarnation of his earlier self.

However, Enck had another plan up her sleeve—time travel. After she introduces us to some of her other main characters—Prince Arthur’s mother, Queen Elizabeth III, a man recently released from a psych ward who has lost his memory, and a mysterious man in flowing robes among others—strange events begin happening. A series of magnetic shocks occur, signs of bizarre weather change. One day the characters find themselves walking on the royal grounds when they again experience these magnetic shocks; afterward, they realize they are still in the same place but that some aspects of the landscape have changed. Ultimately, when they find a castle in the distance, they realize they have been transported back in time.

I won’t go into all the details here; the point is that Enck solves the problem of how to depict Arthur’s return by having the reincarnated Prince Arthur go back to meet the earlier King Arthur. The issue then arises that if people time travel and interact with the past, they can change the future. Prince Arthur knows that such interaction is considered a taboo, but he decides that he will interfere regardless to see whether he can stop how things play out between King Arthur and Mordred and thus prevent the fall of Camelot.

You’ll have to read A King in Time to find out what happens, but I thought Enck’s concepts for handling Arthur’s return to be quite enticing. The novel might sound a bit like Back to the Future meets Excalibur, but this concept worked for me. Of course, Enck isn’t the first author to create time travel in Arthurian literature—I’ve done it in my own Children of Arthur series, and so have many other authors—and in that respect, we all owe a debt to Mark Twain’s A Connecticut Yankee in King Arthur’s Court; I was pleased that Enck gives a nod to Twain in her book.

Enck also takes quite a few liberties with the Arthurian world, expanding especially on the concept of the two dragons under Vortigern’s tower—dragons that generally represent the Saxons and Britons in their battles, or simply the forces of good and evil—but Enck’s dragons become major characters in the story with surprising results.

I admit I thought the plot a bit complicated with quite a few minor characters and subplots going on so that it wound about a bit more than I liked, but it’s definitely a novel worth reading and one that will bend some readers’ minds for how it pushes the limits of Arthurian legend. So many Arthurian novels are retellings without anything really new about them. A King in Time is a refreshing surprise of new ideas and new energy.

Perhaps best of all, a cliffhanger ending suggests a sequel will be forthcoming. I can’t wait to see where the story will go next.

For more information about Mary Enck and A King in Time, visit http://www.amazon.com/King-Time-II-Mary-Enck-ebook/dp/B00SRFRDIW

— Tyler R. Tichelaar, Ph.D., and award-winning author of The Children of Arthur series

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Few people know, and few Arthurian works mention, that Guinevere had a sister. She was named Gwenhwyvach, but she has been written out of the legend over the centuries. In fact, I believe I’m the only modern novelist to include her in my novels, where she is a major character.

But just who was Gwenhwyvach? We really don’t know anything about her other than that she was Guinevere’s sister.

She is mentioned in the Mabinogion tale Culhwch and Olwen, in which her name is included among the 200 men, women, dogs, and horses invoked by Culhwch when he makes his request of King Arthur to help him win his love Olwen. But this reference really tells us nothing of Gwenhwyvach.

Another reference isn’t much more helpful. In The Welsh Triads, it states:

“One of the reasons for the Battle of Camlann was the blow Guinevere struck to her sister Gwenhwyvach.”

N.C. Wyeth's depiction of Arthur and Mordred at the Battle of Camlann, which Gwenhwyvach may have helped to cause.

N.C. Wyeth’s depiction of Arthur and Mordred at the Battle of Camlann, which Gwenhwyvach may have helped to cause.

This statement is obscure, but it’s obvious that Gwenhwyvach must have had a major role in the early legends, or perhaps in history itself, if she influenced the Battle of Camlann where Arthur and Mordred fought each other and died. At least one writer, Thomas Love Peacock, in his novel The Misfortunes of Elphin (1829), decided that Gwenhwyvach was Mordred’s wife, which seems a plausible conclusion based on this statement.

The only other reference to Guinevere having a sister is in the thirteenth century Prose Lancelot where Guinevere has a sister, known as the False Guinevere, who tries to take the place of Guinevere the night she weds Arthur.

In writing Arthur’s Legacy, my curiosity about Gwenhwyvach and the False Guinevere led to my combining the two to create a major villain not just in this novel but the entire The Children of Arthur series. Following is the scene from Arthur’s Legacy where Gwenhwyvach reveals her past to Constantine, whom he hopes to enlist in her desire for revenge:

“Do you know what this is, Constantine, Cador’s son?” she asked.

“Yes,” he replied, shrinking back at the sight of the foul mark.

“This brand is the reason you never knew of my existence. Arthur banished me as a traitor, though I am not one. He decreed it a crime for anyone even to utter my name.”

Constantine hesitated to associate with a criminal, but his curiosity would not yet permit him to flee from her enticing gaze.

“What is your name, lady?” he asked.

“Gwenhwyvach,” she replied. “I am the rightful heir to King Leodagraunce of Northgallis, and more importantly, the rightful Queen of Britain, Arthur’s lawful wife.”

“How?” Constantine asked. He wondered whether her desire for revenge included her seeking the throne of Britain. But how could she? No woman could rule a kingdom.

“Do not fear. I have no desire for a crown, although I could build an empire if I so wished. All I want is to destroy Arthur and Guinevere. I don’t care what becomes of Britain after that. I will make you its next king if you will assist me in my enemies’ destruction.”

Constantine was flattered and his eyes lit with excitement at the prospect of being king, but he was too conniving to agree at once. He would first determine how useful an ally this evil wench might be.

“Before I agree to anything,” he said, “you must tell me your full story.”

“You will help me no matter what I say,” she replied, “but I will tell you my past if only to relieve my own misery.”

She picked up a stick and poked at the fire while muttering under her breath. The sparks flew up into the air, and as Constantine raised his eyes to follow their path to the cave’s ceiling, Gwenhwyvach began her tale.

“My father, King Leodagraunce of Northgallis, conceived me upon my mother, who was his lawful wife, Queen Elen. That same night, he afterwards left his marital bedchamber, drunk as he usually was, and made his way to the room of my mother’s young handmaiden, whom he raped. Nine months later, upon the same full moon, Guinevere and I were born.

“My mother, the queen, died in childbirth, as did her handmaiden. The handmaiden’s mother assisted as midwife at the births of Guinevere and myself. We were born only an hour apart, and being half-sisters through our father’s royal blood, we have always looked immensely alike. The old midwife, partly out of love for her newborn granddaughter, Guinevere, and partly to revenge her daughter’s rape and death caused by my father, switched the two babes the same night they were born. Guinevere, the bastard child, was raised as King Leodagraunce’s rightful daughter, while I, born of a king and queen and conceived in holy matrimony, grew up as a household servant.

“Being the same age and living in the same household, Guinevere and I were playmates before we could even talk. The old woman, who claimed to be my grandmother, encouraged our friendship because it allowed her to see her true granddaughter more often. I grew up envying Guinevere for having a father, while I had no parents. I had heard rumors from the other servants that I was the king’s bastard child, and although still not knowing the whole truth, I began to believe these tales, for the king clearly displayed an aversion toward me, while he always expressed great love for Guinevere. As I grew older, I found myself resenting the princess. I believed I had as much right to our father’s love as she did. It was not my fault I was a bastard.

“Then as we approached womanhood, King Leodagraunce died, and Guinevere went to live in Cornwall, under your father’s protection. Because we had been close friends, or so I let her believe, she allowed me to accompany her, as well as the old woman who claimed to be my grandmother. All the eligible lords in the kingdom now began to court Guinevere, some for her beauty, while others merely wished to rule her kingdom. Even several royal princes sought her hand. I envied her, for the only man interested in me was a shepherd, and he had nothing to offer me except a hut and a stench I could not tolerate.

“One afternoon, I was walking with Guinevere in the gardens at Tintagel when she told me a messenger had arrived that morning from Camelot. He had come bearing a marriage proposal to her from King Arthur.

“Although she had never seen the High King, Guinevere had fallen in love with the stories told of him, so she did not hesitate to accept the proposal. I could not bear the jealousy I felt over her good fortune. Perhaps I was selfish, but it was unfair that one sister marry a High King while the other could find no husband of worth. I fled from the garden, ignoring Guinevere’s shouts for my return. I did not stop until I was deep in the forest, and then I slumped down beneath a tree and spent several hours crying and wishing my life were different. I felt I could no longer remain at Tintagel. I dreaded having to watch Arthur’s men bear Guinevere off to become High Queen of Britain, so I decided to return to my grandmother’s hut after the old woman had gone to sleep. Then I planned to gather my few belongings and depart forever. Perhaps even depart from Britain, for nowhere in the land would my sister’s name not be known, and I knew the mere mention of it would henceforth be intolerable to me.

“But when I returned to the hut, I found several of our neighbors gathered outside the door, and when they saw me, they all began asking where I had been. Then they told me to go inside and see my grandmother because she had suffered from some sort of dizzy spell and collapsed in the street. She was lying down now, but awake, though she probably would not live through the night. For the last several hours, she had been calling my name, and entreating the neighbors to find me.

“I don’t know that I ever loved the old woman, but I had always believed her to be my grandmother, so I at least felt some respect for her. I wanted to leave Tintagel as quickly as possible, but I could not desert her in her last moments. Deciding I would not leave until after she had died, I entered the hut and went to her bedside. The old woman was pale, yet she nearly shouted my name when she saw me. It was there on her death bed that she told me the truth, that I was the daughter of King Leodagraunce and his late queen, meaning I was the true Princess Guinevere. She also admitted it was her fault my birthright had been taken from me because she had switched my half-sister and me in our beds the night we were born. She begged my forgiveness, but after so many years of living in poverty when I could have lived royally and had any of my heart’s desires, any lingering of Christian mercy deserted me. I spat in her face and uttered a series of curses that made her tremble and seek her grave all the sooner. When the life had left her, her face held a terrible look of fear beyond what anyone could imagine. I believe she saw the gates of Hell opening for her. She deserved no lesser fate.”

Gwenhwyvach’s brow steamed with hatred as she repeated her tale; Constantine’s selfish soul pitied this woman because, like him, what was rightfully hers had been stolen from her.

“Did you go to Guinevere and tell her the truth?” he asked.

“How could I have proven it? The old woman had made certain no one knew her secret until moments before her death. If I had told anyone, the story would have been passed off as the deathbed ravings of a crazy old woman, or worse, I might have been accused of lying and rebelling against my queen.”

“But then why did Arthur banish you from Britain?”

“I was determined to get my revenge. If I were the rightful daughter of King Leodagraunce and Queen Elen, I believed it was my right to wed King Arthur.”

Constantine squirmed in his seat. He sympathized with Gwenhwyvach, but he also wondered whether she did not make up this tale, and if she had made it up, how much of it had she convinced herself was true? Still, if she hated Arthur and Guinevere as much as he did, her hatred could make her an invaluable ally.

Whether or not she noticed Constantine’s puzzled look, Gwenhwyvach continued her tale.

“Arthur and Guinevere’s wedding ceremony took place without interruption. But I had laid my plans for that evening. When Guinevere went to her bedchamber to prepare for the consummation of her marriage, she changed into her nightgown, then stepped out into the garden to relieve herself before Arthur entered the bridal chamber. I had found myself a lover in the village, one Bertolais, a strong, hulking man but weak in his desires for a woman. I convinced him to help me, and then he convinced his friends to do the same with my promise to reward them all later. That night, we hid in Guinevere’s garden. Bertolais and his friends were to kidnap the bride, and then murder her after they had carried her far enough away from the castle. Meanwhile, I would take Guinevere’s place as Arthur’s wife.

“But that foul old druid Merlin learned of my plans by the use of his black arts. Arthur’s soldiers stormed into the garden just before we grabbed Guinevere. Then Arthur ordered that Bertolais and I be banished. My lover was sent to Gaul, forbidden ever to return, while I was imprisoned in Hengest’s Tower in the middle of the Saxon Lake. Instead of marrying the High King of Britain as was my rightful and intended destiny, I spent the next fifteen years enchained in that prison. That is why I will hate Arthur and Guinevere until they are both dead.”

“But then how did you escape from the tower, my lady?”

“The jailer became ill one day, and a naïve, young man came to take his place. Within a week, I had the fool hopelessly in love with me. I offered myself to him, but the mere pleasure of holding me exhausted him, and he fell asleep.” Gwenhwyvach laughed as she recalled the event. “I then extracted the key from his belt, imprisoned him in my cell, and made my escape. Five years have since passed, so if Arthur has ever learned of my absence and made a search for me, by now he must have given up all hope of my recapture.

“Since my escape, I have had to live like an animal in hiding, foraging for berries in the forest, fishing with my bare hands, and taking shelter under trees and in caves. No human being has ever had a more unfortunate and miserable existence than what I have suffered. You have no idea what it is to sleep in a cave without even an animal fur to cover you on a cold winter night. That is why I must have my revenge on those who caused my misery even if it means killing every soldier in Britain before I can reach Arthur and Guinevere. And if they succeed in destroying me first, my spirit will return to haunt Britain for centuries to come. Nothing is too powerful to stop me!”

Gwenhwyvach’s eyes flared with heat that could burn down a forest. Constantine could not help being mesmerized by them.

“Will you assist me in bringing about Arthur and Guinevere’s destruction?” Gwenhwyvach asked. “When it is completed, I will make you the most powerful man in the world. I learned much of the black arts while in my prison, for I was not denied reading material, and my jailers were illiterate, so they never realized how harmful were the books they innocently brought me from the ruins of a nearby monastery. My powers as a sorceress will set you on the throne of Britain, and I shall ask nothing more of you, but that I may continually reward you for the good services you performed in helping to vindicate me. All that belonged to Arthur and Guinevere will be yours. I shall ask no share. What is your answer, Constantine, Cador’s son?”

*

To find out Constantine’s answer and how I also incorporated the reference to The Welsh Triad in the novel, read Arthur’s Legacy, available at www.ChildrenofArthur.com and watch for its sequel Melusine’s Gift, coming in January 2015.

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Enter to win a copy of King Arthur's Children this coming Friday, June 27, 2014

Enter to win a copy of King Arthur’s Children this coming Friday, June 27, 2014

This week Free Book Friday is giving away five free, autographed copies of my nonfiction book King Arthur’s Children: A Study in Fiction and Tradition.

Please note, this is not my new novel Arthur’s Legacy, but readers should enjoy both of them. Since Arthur’s Legacy was published last month, people are asking me which book I wrote first.

I actually began writing Arthur’s Legacy first but soon realized how much work all the research for it would be. Since I had just started an M.A. program in English at Northern Michigan University at the time, and I knew I would write a Master’s Thesis in the program, I decided to write my thesis on the Arthurian legend and soon latched onto the theme of King Arthur’s children. The result was the nonfiction book which incorporated all the research, and it also led to much of that research being worked into the plot in Arthur’s Legacy, notably that King Arthur had children other than Mordred, including Gwydre and Llacheu in the Welsh legends, as well as redeeming Mordred’s character and an eye-opening reinterpretation of Constantine’s role in Arthurian legend.

So both books inform each other.

You can enter the Free Book Friday drawing for your own copy of King Arthur’s Legacy by going to http://www.freebookfriday.com/2014/06/king-arthurs-children-tichelaar.html You can also read an interview there with me about the book. The drawing will be held on Friday, June 27, 2014.

I hope you’re one of the lucky winnners, but if not, next week, visit my website www.ChildrenofArthur.com because I have a special discount of 20% off for people who buy King Arthur’s Children and Arthur’s Legacy together.

My new novel - I wrote King Arthur's Children as a way to do the research for this novel.

My new novel – I wrote King Arthur’s Children as a way to do the research for this novel.

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FOR IMMEDIATE RELEASE

Historical Fantasy Series Debuts with Twist on King Arthur Legend

“Arthur’s Legacy,” first in a groundbreaking new historical fantasy series by award-winning author Tyler R. Tichelaar, suggests Camelot’s story was distorted by its enemies and reveals the role of King Arthur’s descendants throughout history.

Arthur’s Legacy: The Children of Arthur, Book One – the first in a five book Arthurian historical fantasy series

Arthur’s Legacy: The Children of Arthur, Book One – the first in a five book Arthurian historical fantasy series

Marquette, MI, June 1, 2014—What if everything we ever thought we knew about King Arthur were false? What if Mordred were one of Camelot’s greatest heroes rather than Arthur’s enemy, but someone purposely distorted the story? What if King Arthur’s descendants live among us today and are ready to set the record straight? Award-winning novelist and Arthurian scholar Tyler R. Tichelaar offers entertaining and visionary answers to those questions in his new novel “Arthur’s Legacy: The Children of Arthur, Book One” (ISBN 9780979179082, Marquette Fiction, 2014).

The Arthurian legend says King Arthur and Mordred, his illegitimate son, born of incest, slew each other at the Battle of Camlann. But early in Tyler R. Tichelaar’s new novel, “Arthur’s Legacy,” that belief is called into question by a modern day man who claims to have been an eyewitness of events at Camelot. Disrupting a lecture, the mysterious man declares, “I will not be silent; Mordred has been falsely accused for nearly fifteen hundred years. It is time the truth be known.”

Soon, a series of strange events are set in motion, and at their center is Adam Delaney, a young man who never knew his parents. When Adam learns his father’s identity, he travels to England to find him, never suspecting he will also find ancient family secrets, including the true cause of Camelot’s fall.

In “Arthur’s Legacy,” Tichelaar draws on many often overlooked sources, including the involvement of Guinevere’s sister Gwenhwyvach in Camelot’s downfall, Mordred’s magnanimous character, Arthur’s other forgotten children, the legend that Jesus’ lost years were spent in Britain, and the possibility that Arthur’s descendants live among us today.

When asked about his inspiration for writing The Children of Arthur series, Tichelaar said, “For centuries the British royal family has claimed descent from King Arthur, but DNA and mathematical calculations would suggest that if King Arthur lived, nearly everyone alive today would be his descendant. The five novels in this series ask, ‘What if the myths and legends of King Arthur, Charlemagne, Dracula, Ancient Troy, Adam and Eve, and so many others were true? How would that knowledge change who we are today?’”

Arthurian scholars and novelists are raving about “Arthur’s Legacy.” John Matthews, author of “King Arthur: Dark Age Warrior and Mythic Hero,” says “‘Arthur’s Legacy’ is a fresh new take on the ancient and wondrous myth of Arthur.” Sophie Masson, editor of “The Road to Camelot,” calls “Arthur’s Legacy,” “an intriguing blend of action-packed time-slip fantasy adventure, moving love story, multi-layered mystery, and unusual spiritual exploration.” Debra Kemp, author of “The House of Pendragon” series, states, “Tichelaar has performed impeccable research into the Arthurian legend, finding neglected details in early sources and reigniting their significance.” And Steven Maines, author of “The Merlin Factor” series, concludes “Arthur’s Legacy” “will surely take its rightful place among the canon of great Arthurian literature.”

About the Author

Tyler R. Tichelaar, Ph.D., is the author of numerous historical fiction novels, including “The Best Place,” and the scholarly books “The Gothic Wanderer: From Transgression to Redemption” and “King Arthur’s Children.” In writing “The Children of Arthur” series, Tichelaar drew upon Arthurian and Gothic literature and biblical and mythic stories to reimagine human history. “Melusine’s Gift,” the second novel in the series, will be published in 2015.

“Arthur’s Legacy: The Children of Arthur, Book One” (ISBN 9780979179082, Marquette Fiction, 2014) can be purchased through local and online bookstores. Ebook editions are available at Amazon, Barnes & Noble, and other retailers. For more information, visit www.ChildrenofArthur.com. Review copies available upon request.

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This post is a follow-up to my previous post on the first episode of the new season 5 of Merlin. The first and second episodes together make up the “Arthur’s Bane” story.

MerlinTVshowThis second episode was far more effective and action-packed than the first. Guinevere proves herself less hard-hearted than we expected, admitting to Gaius that she will not kill Sefa but use her to lure her father to Camelot since he is the real threat. In this strategy, Guinevere is successful. The father manages to free Sefa but is wounded in the process and although they escape from Camelot, he dies immediately after while Sefa flees. I suspect Sefa will show up in a later episode this season.

I did not mention in my last post anything about the strange luminous looking being that cares for Gawain and which many bloggers and commenters have mocked as being an E.T. creature – the creature does look extra-terrestrial, but no real resemblance to E.T. itself. It turns out this creature is the Key to all Knowledge that Morgana seeks. It is the last of its kind and it tells Merlin that he can ask any questions he wants, but after it informs Merlin that knowledge is both a blessing and a curse, he decides it best not to ask any questions, then changes his mind and asks if Mordred is not Arthur’s Bane then who is, for earlier Arthur’s Bane had been prophesied as his downfall. The creature replies that it is Arthur himself.

I love this detail, and it is the kind of detail that Merlin pulls off so successfully, not always giving us what is expected but rising above into metaphor and mystery. Of course, the psychological outdoes the dramatic in the series – Arthur will be his own downfall, just as anyone can choose whether or not to let circumstances or his own flaws defeat him. We will have to wait to see how Arthur is his own bane – will Merlin’s vision of Mordred slaying Arthur turn out to be true, or can it be changed and Arthur’s fall will come about another way – will the series choose to change the tragic ending of the legend or be traditional instead?

The biggest shock in this episode suggests a leaning toward the traditional storyline. Morgana, about to destroy Arthur when she finds him in the caverns beneath Ismere, is stabbed in the back by Mordred in a shocking twist of events. The result is that Merlin is surprised that Mordred saves Arthur – leading to his question of who is really Arthur’s bane – and Arthur has Mordred accompany him back to Camelot where Mordred is rewarded by being made a knight. First, let me point out here that Merlin has saved Arthur plenty of times but no knighthood has ever been installed upon him. Secondly, Mordred is a member of Arthur’s court now, as is typical in the legend (although not Arthur’s son or nephew in this series) and consequently, we can assume that perhaps Mordred will now try to bring about the fall of Camelot from within.

In the final scene, we see Morgana and her dragon making their way through the snow near Ismere. She has apparently survived Mordred’s attack – a strange moment because she clearly seemed to be dead when Mordred stabbed her, and one would think Arthur would have made certain she was dead and seen her body burnt or buried, or have sought to help her if she were still alive (after all, she is his sister). The series’ need to keep Morgana alive is understandable, but no explanation given of how she survived or why her body was not disposed of is a bit of a stretch.

As for the dragon, questions are left open. Merlin earlier tried to stop the dragon from attacking and is surprised when the young dragon cannot speak, finally asking the dragon who has done this to him since the older dragon in the series always speaks. Did Morgana cut out the dragon’s tongue or make him unable to speak, and if so, why would she do so? While she and the dragon are both part of the Old Religion, Morgana leads the dragon on a leash, clearly not respecting him but treating him like a pet for her own purposes. We shall just have to wait to see how these two characters will resurface and whether they will ally themselves with Mordred in a future episode. I’ve learned to expect anything from this series.

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Tyler Tichelaar, Ph.D. is the author of King Arthur’s Children: A Study in Fiction and Tradition. He is currently working on a series of novels about Arthur’s descendants. You can visit Tyler at www.ChildrenofArthur.com

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