The Prince Valiant saga continues with two of the most significant volumes to date in the series from Fantagraphics. While most of the Prince Valiant strip encompasses individual episodic stories, these two volumes constitute a larger story arc.
One of my favorite things about the Prince Valiant strip has been watching Prince Valiant’s children grow up, and that remains true in these volumes. We begin with Valiant and Aleta’s youngest child who has been kidnapped and is eventually rescued. Nathan, as he ends up being named, is little more than an infant, while his older siblings range in age from Arn, now fully grown and old enough to achieve knighthood by the end of these volumes, to Karen and Valeta, the twin girls who are busy chasing after young men, and then Galen, whose age isn’t certain, but is probably about ten to twelve. All of the children provide plot lines relative to their various ages which helps to keep the humor of the strip going amid the more serious adventures.
But Arn is the child at the center of the most serious adventures in these two volumes. Earlier, he had met and fallen in love with Maeve, but he did not know that Maeve is Mordred’s daughter. In these volumes, he learns of her unfortunate parentage, but he continues to love her. Maeve also proves herself to be her father’s daughter only biologically. As Mordred plots to overthrow Camelot, she turns against him, resulting in him imprisoning her and Arn eventually having to rescue her.
The first volume ends with Mordred successfully capturing Camelot and taking over Britain. Arthur and his court flee first to France and then to Thule, which for the first time is depicted on a map, showing it is clearly modern-day Norway. Valiant father’s, King Aguar, willingly takes in King Arthur, since once upon a time (when the strip first opened), Arthur had provided shelter to Aguar and his people. Once in Thule, Arthur and his knights plot how to regain control of Britain. Along the way, there is an exciting plot involving a competition between two brothers for the throne of Lappland.
Eventually, Arthur makes an agreement with the Saxons of Saxony to let them settle in Britain in exchange for their assistance in overthrowing Mordred. Earlier, Arn had made an agreement with some other Saxons to guard parts of Britain. Arthur is slowly becoming used to the idea that Britain will no longer belong solely to the Britons, and he notes how the Romans and Britons’ blood mingled in the past, and now Saxon blood will mingle with them also. In the October 23, 1983 strip, he states that the Britons and really all peoples are mongrels and then, “if we must be mongrels, let us be mongrels in peace.”
Arthur is not so open-minded when he learns Arn is in love with Maeve, but once Maeve proves herself loyal to Arn and Arthur and not Mordred, he is more accepting of her and will eventually surprise everyone by his graciousness.
But first, Arthur, with the aid of the Saxons and the Viking Boltar, has to invade Britain again. Battles ensue. Arn rescues Maeve from Mordred’s prison, only to have her recaptured by Mordred, and then rescued again. After Mordred discovers Maeve’s escape through dungeon caverns, he is captured by the Dawn people, a diminutive people from ancient Britain who then help to save Camelot.
Once Arthur is back in power, he asks the Dawn People what became of Mordred. They tell him they do not know—that he must have escaped from them—but in truth, they want to bring about their own form of justice by sentencing him to life in a pit. It seems unlikely Mordred will ever escape, but given that he doesn’t die, I wouldn’t be surprised if he resurfaces later.
Of course, in the traditional Arthurian legend, Arthur and Mordred die while fighting together at the Battle of Camlann. Mordred’s effort in these volumes to conquer Camelot might be Prince Valiant’s take on Mordred’s treachery. Still, I suspect we will see more of Mordred, rather than just have a happy ending now, but for the time being, he has been vanquished.
All is now well and plans begin for Arn and Maeve’s wedding. Valiant gives Arn his mother’s ring to give to Maeve. However, it keeps falling off her finger, so she puts it in a cabinet for safekeeping. Aleta has some difficulty adjusting to the idea of having a daughter-in-law, and at first, there is some tension over the wedding planning, but in the end, it seems like Aleta and Maeve will get along. The most surprising moment comes when Arthur declares that since he has no children and Maeve is his relative (his niece since Mordred is his brother), that Maeve and Arn’s child shall rule Camelot after him, and should he die before the child is old enough to rule, Arn will be regent. And so the bloodline of Arthur and Valiant is mingled.
I was expecting the strip to end in 1986 with Maeve and Arn’s wedding, but it did not. Instead, it ends with the wedding ring disappearing. Fears it was stolen lead to Galen doing an investigation and discovering the cabinet Maeve placed it in once belonged to Merlin, so it must be a magical cabinet. The mystery of where it disappeared to will apparently be solved in the 1987 strip. Volume 25 ends with a preview of Volume 26 for 1987-1988 that says the strip celebrates its fiftieth anniversary with the marriage of Arn and Maeve, which suggests the wedding might not take place for a while yet.
Volume 24 is accompanied by an opening essay by Stan Sakai, a Japanese-Hawaiian cartoonist who writes about the blend of history and fantasy in the Prince Valiant strip and how it influenced his own work. The volume ends with an essay about the creation of Prince Valiant miniatures in Germany, where the strip has been popular, and numerous photos of the miniatures. Volume 25 includes an essay by Cullen Murphy who did the writing for the strip under his father John Cullen Murphy. His essay is about his mother and how she helped inspire some of the artwork, especially being a model for Aleta, and it is accompanied by his mother in several photographs in poses similar to those in the strip. The volume concludes with an essay by Meg (Murphy) Nash, John Cullen Murphy’s daughter, about her work helping her father with the lettering and coloring for the strip, which really made me appreciate the level of detail the strip required in the days before everything went digital, even down to making sure the newspapers used the right colors when reproducing it.
As Prince Valiant has progressed, at times the stories have become cliché and felt somewhat repetitive, but these four years reflect some of the finest storylines since the strip’s earliest years because of the larger arc to the story they provide. They make me want to continue on to see Arn and Maeve wed and their children grow up and to find out whether we have seen the last of Mordred.
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Tyler Tichelaar, PhD, is the author of The Children of Arthur series, which includes the novels Arthur’s Legacy, Melusine’s Gift, Ogier’s Prayer, Lilith’s Love, and Arthur’s Bosom. He has also written the nonfiction scholarly works King Arthur’s Children: A Study in Fiction and Tradition, plus works on Gothic literature and historical fiction, history, and biography. You can learn more about Tyler at www.ChildrenofArthur.com, www.GothicWanderer.com, and www.MarquetteFiction.com.